After Derain's "La Balle a Suresnes" 1967, 62X52, Oil on wood Tel Aviv Museum of Art
"When you're dealing with form and color without distinguishing between them you're running the risk of becoming confused. I explicitly wanted to prove that when blue and red are together they turn into a basic element, regardless of how you paint them".
After Derain's "La Balle a Suresnes" 1967, 62X52, Oil on wood Tel Aviv Museum of Art
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